{"title":"Patrick Brennan - Associated Products","description":null,"products":[{"product_id":"s0nic-0penings-tilting-curvaceous-cd","title":"s0nic 0penings tilting curvaceous CD","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003es0nic 0penings expands upon compositional “what-ifs” and the plasticities of rhythm section dynamics. In this instance, tilting curvaceous interrelates fourteen possible extensions of its core material’s potential to develop in multiple directions simultaneously.\u003cbr\u003eAs with Ellington, Monk, Mingus, Ornette Coleman, Cecil Taylor, Henry Threadgill and many other A.A.C.M. composers, brennan generates specific sonic and conceptual environments for collective improvisation. The music’s orienting matrix is constructed from a series of melodically coded polyrhythmic cells whose connective tissue may suggest nearly unlimited transformations.\u003cbr\u003e“brennan has crafted a musical path that is open in its candor and indebtedness to all facets of black music,” Ludwig van Trickt notes in All About Jazz. “Much like trumpeter Wadada Leo Smith, the alto saxophonist brews a thicket of his own distinct musical language that ‘unlike much contemporaneous vanguard music is built specifically upon the potentialities of swinging and polyrhythm.’ This means moving the expressive expansiveness of trap playing and the drum choir into ‘the foreground of an entire orchestra’s intelligence.’”\u003cbr\u003eNew York City based composer, saxophonist \u0026amp; bandleader patrick brennan first formed his long term, rhythm-section-centric\u003cspan\u003e\u003cspan class=\"bcTruncateEllipsis\"\u003e...\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e  \u003ca\u003emore\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased January 24, 2023\u003cbr\u003e\u003cbr\u003epatrick brennan alto saxophone\u003cbr\u003eBrian Groder trumpet and fluegelhorn\u003cbr\u003eRod Williams piano\u003cbr\u003eHilliard Greene contrabass\u003cbr\u003eMichael TA Thompson trap drums\u003cbr\u003e\u003cbr\u003eAll compositions by Patrick Brennan (deep dish music\/BMI)\u003cbr\u003e\u003cbr\u003eRecorded September 12th, 2021 at Manhattan Sky Studios, NYC by Leon Lee Dorsey | Mixing and mastering by Abdul Moimême\u003cbr\u003eProduced by patrick brennan | Executive production by Pedro Costa for Trem Azul | Design by Travassos\u003c\/div\u003e","brand":"direct from artist","offers":[{"title":"Default Title","offer_id":53287186170163,"sku":"MSC_SNCP_LVLB_2016","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0703\/8032\/3123\/files\/s0nic0peningstiltingcurvaceousCD.jpg?v=1777226447"},{"product_id":"sonic-openings-under-pressure-cd","title":"Muhheankuntuk sonic openings under pressure CD","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe title of this CD by the Sonic Openings Under Pressure troupe is the term used by the Lenape tribe to name the Hudson River, and it means “river that flows two ways”. The music acts accordingly, and surely is a New York product. There are two flows here – one is freedom (as in “free jazz” and “free improvisation”), the other is form (established by structure and composition). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEverything happening in these tracks has those two interactive sides; one open, the second closed in such a way that some materials are getting out, going very far away, while others are coming in, adjusting to the roots and identity of the “great black tradition,” with a conscious and determined attitude. And this intentionality means that the parameters are even more evident. Alto saxophonist Patrick Brennan is the mentor of the project, and with him we find a rhythm section once involved with Charles Gayle: bassist Hilliard Greene and drummer David Pleasant. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is sufficient indication that “Muhheakuntuk” is a recording of Fire Music, though there’s much more in the flux, because we can’t reduce these sounds to just one thing. Brennan values the nuance factor, and that’s why he inscribes himself in a lineage formed by the jazz stylists Duke Ellington, Thelonious Monk, Charles Mingus, Ornette Coleman and Henry Threadgill. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGreene\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ehas a visceral side, but he’s also a master in the art of subtilty we call “groove.” Pleasant, an expert in polyrhythm very aware of the different music families in the percussion world, from the Gullah-Geechee culture (the oldest African one in America), to hip-hop, is known for his asymmetric and complex beats. So, if your foot taps and your heart rejoices with this music, your mind will awaken.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"loove labs","offers":[{"title":"Default Title","offer_id":53287186694451,"sku":"MSC_SNCP_LVLB_2016","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0703\/8032\/3123\/files\/sonicopeningsunderpressureCD.jpg?v=1777226692"},{"product_id":"sonic-openings-under-pressure-cd-copy","title":"Kncurrent CD","description":"","brand":"loove labs","offers":[{"title":"Default Title","offer_id":53287187349811,"sku":"MSC_SNCP_LVLB_2017","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0703\/8032\/3123\/files\/kncurrent.jpg?v=1777226830"},{"product_id":"terraphonia-cd","title":"Terraphonia CD","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003epatrick brennan – alto saxophone, cornet (briefly on terrafonia)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAbdul Moimême – 2 electric guitars (played simultaneously) with objects\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eLiner Notes:\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eYou know, I was really intrigued by the timbral and textural expanse of the prepared guitars. They have distinct minds of their own \u0026amp; a very soundwave inflected \u003cspan class=\"peekaboo-text\"\u003epulsation. - p\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eBack in the mid 90’s, when I first came into contact with your music, I was initially perplexed by the substantial use of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003e silences in your solo saxophone work, until I realized that, as a composer, you were allowing space for the implicit arrangements to resound in the listener’s ear. What became clear to me was that they were also an integral part of your rhythmic invention. So, when you suggested this project, I wondered how my sound might complement your sonic universe. - a\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eI do make a point of accenting silences for just that reason. The saxophone emerges through breath \u0026amp; syllabic percussion, but as flexible an acoustic instrument it may be, there's no way it can match, or converse within, the guitars’ far broader timbral palette. The mystery for me, then, was in discovering a dialogical interface that would allow us both to interact without compromising either of our sonic or personal identities. - p\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eI posed myself the very same issues, as it’s one thing to have two sets of events somehow concur on parallel planes, it’s quite another to transmute them into a totally new and unique substance. - a\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eStill, I was still surprised by how it all found itself. What I did was listen in terms of framing your own sounds, accenting them, augmenting their clarity, following where they took me. There was a lot of freedom in discovering how to adapt to such a variegated soundscape resounding well outside the tempered pitch system that my instrument was designed for. - p\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eConversely, the possibilities posed by interacting with your melodic transformations were exhilarating, sometimes functioning as an extension of that order, at other times as its deliberate contrast. - a\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eYeah, collaborative differences can forge some serious alchemies. - p\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eTrust is essential, but when you also have friendship in the mix… what more can one ask for? - a\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"direct from artist","offers":[{"title":"Default Title","offer_id":53287205765427,"sku":"MSC_TRRP_LVLB_2018","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0703\/8032\/3123\/files\/terraphonia_67686617-2552-4499-96e5-84cf4f46d7ac.jpg?v=1777229651"},{"product_id":"transparency-series-week-2","title":"transparency series - week 2","description":"\u003cdiv\u003e\u003cspan\u003eIn collaboration with LOOVE, \u003cstrong\u003eContinuum\u003c\/strong\u003e \u003cstrong\u003eCulture \u0026amp; Arts\u003c\/strong\u003e presents composer\/author\/saxophonist \u003cstrong\u003epatrick brennan’s transparency kestra\u003c\/strong\u003e, an improvisers’ community orchestra coordinated around brennan’s innovative transparency structures. Transparencies spontaneously overlap varying layers of rhythmelodic patterns to evoke ever surprising soundscapes. The ensemble has been convening musicians from across New York’s vibrant creative music cosmos since 2014 and regularly begins with an open rehearsal, during which listeners can witness the musicians exploring the ins and outs of each transparency, in advance of the full unfolding of the music in performance.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003epatrick brennan\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehas for decades been rumored as an underground secret, a contrarian \u0026amp; independent progenitor of conceptually original music sharp at the frontiers of an ever expanding Blues Continuum. The NYC based composer \u0026amp; alto saxophonist coordinates ensembles \u0026amp; projects from unaccompanied solo excursions to 20+ musician formations.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eHis multidirectional creative music “expands upon compositional what ifs and the plasticities of rhythm section dynamics,” as\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/jazz.pt\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/jazz.pt\u0026amp;source=gmail\u0026amp;ust=1776549667670000\u0026amp;usg=AOvVaw2nOV03lecdZ6FnJN1bAmJp\" target=\"_blank\"\u003ejazz.pt\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewriter António Branco has described it. “On the shoulders of giants like Ellington, Monk, Mingus, Ornette Coleman, Cecil Taylor, Henry Threadgill and others, brennan constructs specific sonic and conceptual environments for collective improvisation, a kind of sonic lego from pieces that can be combined in infinite ways.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe transparency series is made up of three performances featuring a semi-rotating cast of musicians, every 2 weeks, from April 26th to May 24th at \u003cstrong\u003eLOOVE Annex\u003c\/strong\u003e, with open rehearsals beginning at 2:30pm, and doors at 4pm.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eFeaturing:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"m_2093377861119039469m_5930682094072597796x_x_v1v1x_forwardbody1\"\u003e\n\u003cdiv id=\"m_2093377861119039469m_5930682094072597796x_x_v1v1x_forwardbody1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eOn Ka'a Davis •  guitar\u003c\/div\u003e\n\u003cdiv\u003eHaruna Fukazawa •  flutes \u003c\/div\u003e\n\u003cdiv\u003eNick Gianni •  flutes\u003c\/div\u003e\n\u003cdiv\u003eHilliard Greene •   contrabass \u003c\/div\u003e\n\u003cdiv\u003eJerome Harris •  guitar (TBC)\u003c\/div\u003e\n\u003cdiv\u003eThomas Heberer •  trumpet\u003c\/div\u003e\n\u003cdiv\u003ePatrick Holmes •  clarinet\u003c\/div\u003e\n\u003cdiv\u003eNick Lyons  •  clarinet\u003c\/div\u003e\n\u003cdiv\u003eEvan Palmer •  contrabass\u003c\/div\u003e\n\u003cdiv\u003eJosh Sinton •  baritone saxophone\u003c\/div\u003e\n\u003cdiv\u003eMichael T.A. Thompson •  percussion\u003c\/div\u003e\n\u003cdiv\u003eRod Williams •  piano\u003c\/div\u003e\n\u003cdiv\u003epatrick brennan •  composition+conducting+alto saxophone\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.transparencykestra.org\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.transparencykestra.org\/\u0026amp;source=gmail\u0026amp;ust=1776549667670000\u0026amp;usg=AOvVaw2j4k6blo7LjaozYs0eHVKv\" target=\"_blank\"\u003ehttps:\/\/www.\u003cwbr\u003etransparencykestra.org\/\u003c\/wbr\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e@patrickbrennansound\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.patrickbrennansound.com\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.patrickbrennansound.com\/\u0026amp;source=gmail\u0026amp;ust=1776549667670000\u0026amp;usg=AOvVaw0-PgBAJL8_nEhxb2Iq9E5d\" target=\"_blank\"\u003ehttps:\/\/www.\u003cwbr\u003epatrickbrennansound.com\/\u003c\/wbr\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch2\u003e\n\u003cstrong\u003eDONATIONS ARE ACCEPTED\u003c\/strong\u003e\u003cstrong\u003e AT THE DOOR! \u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003ch2\u003e\u003cstrong\u003eWe hope to see you there :)\u003c\/strong\u003e\u003c\/h2\u003e","brand":"loove labs","offers":[{"title":"$5","offer_id":53335902978355,"sku":"2731716","price":5.0,"currency_code":"USD","in_stock":true},{"title":"$10","offer_id":53335903011123,"sku":"2731717","price":10.0,"currency_code":"USD","in_stock":true},{"title":"$15","offer_id":53335903043891,"sku":"2731718","price":15.0,"currency_code":"USD","in_stock":true},{"title":"$20","offer_id":53335903076659,"sku":"2731720","price":20.0,"currency_code":"USD","in_stock":true},{"title":"$25","offer_id":53335903109427,"sku":"2731719","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0703\/8032\/3123\/files\/kestra0510sq_5fd99560-c91f-46ec-9ac4-286663ab296f.jpg?v=1778168569"},{"product_id":"transparency-series-week-3","title":"transparency series - week 3","description":"\u003cdiv\u003e\u003cspan\u003eIn collaboration with LOOVE, \u003cstrong\u003eContinuum\u003c\/strong\u003e \u003cstrong\u003eCulture \u0026amp; Arts\u003c\/strong\u003e presents composer\/author\/saxophonist \u003cstrong\u003epatrick brennan’s transparency kestra\u003c\/strong\u003e, an improvisers’ community orchestra coordinated around brennan’s innovative transparency structures. Transparencies spontaneously overlap varying layers of rhythmelodic patterns to evoke ever surprising soundscapes. The ensemble has been convening musicians from across New York’s vibrant creative music cosmos since 2014 and regularly begins with an open rehearsal, during which listeners can witness the musicians exploring the ins and outs of each transparency, in advance of the full unfolding of the music in performance.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003epatrick brennan\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehas for decades been rumored as an underground secret, a contrarian \u0026amp; independent progenitor of conceptually original music sharp at the frontiers of an ever expanding Blues Continuum. The NYC based composer \u0026amp; alto saxophonist coordinates ensembles \u0026amp; projects from unaccompanied solo excursions to 20+ musician formations.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eHis multidirectional creative music “expands upon compositional what ifs and the plasticities of rhythm section dynamics,” as\u003cspan\u003e \u003c\/span\u003e\u003ca data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/jazz.pt\u0026amp;source=gmail\u0026amp;ust=1776549667670000\u0026amp;usg=AOvVaw2nOV03lecdZ6FnJN1bAmJp\" href=\"http:\/\/jazz.pt\/\" target=\"_blank\"\u003ejazz.pt\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewriter António Branco has described it. “On the shoulders of giants like Ellington, Monk, Mingus, Ornette Coleman, Cecil Taylor, Henry Threadgill and others, brennan constructs specific sonic and conceptual environments for collective improvisation, a kind of sonic lego from pieces that can be combined in infinite ways.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe transparency series is made up of three performances featuring a semi-rotating cast of musicians, every 2 weeks, from April 26th to May 24th at \u003cstrong\u003eLOOVE Annex\u003c\/strong\u003e, with open rehearsals beginning at 2:30pm, and doors at 4pm.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eFeaturing:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"m_2093377861119039469m_5930682094072597796x_x_v1v1x_forwardbody1\"\u003e\n\u003cdiv id=\"m_2093377861119039469m_5930682094072597796x_x_v1v1x_forwardbody1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003epatrick brennan, composition,conducting \u0026amp; alto sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eclaire de brunner, bassoon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eandrew drury, percussion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNick Gianni, baritone sax \u0026amp; bass flute\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHilliard Greene, contrabass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elloyd haber, percussion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ejerome harris, guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estephen haynes, trumpet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ejason kao hwang, violin \u0026amp; viola\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ejames ilgenfritz, contrabass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003efrank london, trumpet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003epatrick holmes, clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eevan palmer contrabass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMichael T.A. Thompson, percussion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ebill ylitalo, flutes \u0026amp; piccolo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ejosh sinton, baritone sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRocio sanchez, cello\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.transparencykestra.org\/\u0026amp;source=gmail\u0026amp;ust=1776549667670000\u0026amp;usg=AOvVaw2j4k6blo7LjaozYs0eHVKv\" href=\"https:\/\/www.transparencykestra.org\/\" target=\"_blank\"\u003ehttps:\/\/www.\u003cwbr\u003etransparencykestra.org\/\u003c\/wbr\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e@patrickbrennansound\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.patrickbrennansound.com\/\u0026amp;source=gmail\u0026amp;ust=1776549667670000\u0026amp;usg=AOvVaw0-PgBAJL8_nEhxb2Iq9E5d\" href=\"https:\/\/www.patrickbrennansound.com\/\" target=\"_blank\"\u003ehttps:\/\/www.\u003cwbr\u003epatrickbrennansound.com\/\u003c\/wbr\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDONATIONS ARE ALSO ACCEPTED\u003c\/strong\u003e\u003cstrong\u003e AT THE DOOR! \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWe hope to see you there :)\u003c\/strong\u003e\u003c\/p\u003e","brand":"loove labs","offers":[{"title":"$25","offer_id":53390429487411,"sku":"2731722","price":25.0,"currency_code":"USD","in_stock":true},{"title":"$20","offer_id":53390429159731,"sku":"2731718","price":20.0,"currency_code":"USD","in_stock":true},{"title":"$15","offer_id":53390429192499,"sku":"2731719","price":15.0,"currency_code":"USD","in_stock":true},{"title":"$10","offer_id":53390429225267,"sku":"2731720","price":10.0,"currency_code":"USD","in_stock":true},{"title":"$5","offer_id":53390429258035,"sku":"2731721","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0703\/8032\/3123\/files\/kestrasqw3_1.jpg?v=1781304708"},{"product_id":"ways-sounds-inquiries-interconnections-contours","title":"Ways \u0026 Sounds: inquiries, interconnections, contours","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhat transforms sounds into music? \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComposer \u0026amp; improviser patrick brennan asks us in this series of essays to put aside what we ordinarily think music is and to reimagine a more inclusive, relational framework, an ecology of composing.. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen people, especially musicians, talk about musical structure, they usually mean how sounds are organized, but there are other forces at play. Have you ever wondered what these might be?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHow do the textural weaves of human activity fit into all of this? If we are inseparable from musical sound, then what do we hear?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat does it mean to compose from the inside out or the outside in? Do recordings reshape our conceptions? And, most compellingly, how can we, as listeners, listen? \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“brennan has thought deeply about the topics, has done his research, deftly quotes what prominent voices have said in the past, and explains his thinking behind what music is and means. “ - Paul Acquaro, The Free Jazz Collective\u003c\/span\u003e\u003c\/p\u003e","brand":"direct from artist","offers":[{"title":"Default Title","offer_id":53313604911411,"sku":"BKS_WYSS_DRCT_2021","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0703\/8032\/3123\/files\/WAYS_SOUNDS_SQ.png?v=1777658920"}],"url":"https:\/\/theloove.com\/collections\/patrick-brennan-associated-products.oembed","provider":"loove labs","version":"1.0","type":"link"}