Nabeg

NABEG's classification is very interesting for debate. I devised the terms Flensecore & Apolplexy as affixations. Excluding myself, it was an exceptionally eclectic ambit & instrumentation – noisegrind/noisecore/noise/industrial fucks with striking sympathies/sensitivities of junk like free jazz, avant garde, & other more challenging & cerebral branches of prog, experimental, left field, psychedelic-rock/soundscape & awkward or aberrant styles/groups that resist categoric confining. It was driven by indignation, exasperation & exclamation at the presiding unjust & excremental idiocy we endure from free-market shit-suck & “the giant lie”.

NABEG contains significant deposits of Breakcore, Glitch, Noise, Extreme Electronics, Noisegrind, Noisecore, Gunk, Tempo-Jazz, Jungle, Farrago, extreme improvisation/free form/of-road, & the harsher/noisier angle of “Psychedelic” fulminations - plus - the more manic & volatile outpour from the Avant Jazz onslaught … a lot of these ingredients are further aggravated, potentized, warped, hybridized or inflated & run through disparate filters “noisecore through jazz - jazz through noisecore & so on). No stereotypes or core coloquials of noisegrind/grind/metal are permitted (blast beats, double kick, d-beat, or skull stove)... no obvious, identifiable features. As you will be aware – it is 'Anti-Listener' as fuck!!! my own percussive encyclopedia contributes. The last line-up on the Economic Gain – Ecological Ruin LP was all harsh noise heavyweights (Animal Machine, M150, 886VG, Napalmed) & the Donetsk noiseguitarist ...so flat-out harsh moil assault along with the colossus of riot/protest/confrontation sampling/field recording/reportage from the scrums of Hong Kong unrest (転覆!).

So what the fuck is it?
A foremost ferocity modern adaption of Free Jazz with noise instrumentation & the shunning of traditional instruments?
An advanced, acutely disparate & additionally aggrieved version of User-Hostile Noisecore?
Or is it just multi-assailant ultra mauling harsh noise/stridor with relentless free-form percussive belligerence as backup?
Or is it all three?
Somethin' else?
I just call it “Flensecore/Apoplexy” & I know that no fucker is doing anything on that level of volatility & intensity anywhere!

Instruments: Electronics